Slipcase Nostalgia
I might be shallow enough to author a blog about the design and manufacture of Bibles (as opposed to the content within), but even I don't waste much time on the packaging they come in. While I like to find vintage Bibles still in the box, that has more to do with the information printed on the box than any quality in the packaging itself. Sometimes publishers stick their high-end editions in fussy packaging -- clamshell boxes with magnetized flaps, sometimes with synthetic leather upholstery to boot. To be honest, it seems like a waste to me. Something simple and sturdy to protect the contents is all I require, like the simple blue box that R. L. Allan uses. There is, however, an exception, one example of nice packaging I dearly miss: the Cambridge slipcase.
Older Cambridge editions come in a simple box, but somewhere along the line -- I'm guessing during the 1980s or 90s -- the two-part slipcase was introduced. The tan interior slip held the Bible, then fitted into the slightly wider exterior slip, which was printed with a spired university scene. The attraction wasn't the Brideshead-style nostalgia the image evoked. It was the practical nature of the slipcase itself. As the photo illustrates, a softcover Bible enclosed in its slipcase can stand upright on a shelf like any other book. That, my friends, is a real plus.
Nowadays Cambridge Bibles (like all the rest) are either in the box or out. If they're in, they might be better protected, but you can't actually see them. With the slipcased editions, you can pluck them right off the shelf for use, then tuck them right back. Some editions, such as the red NIV pictured at the top of the stack, only came with an outer slipcase, which worked just as well.
Of course, just because your Bible didn't come with a slipcase doesn't mean you can't have one. If you're handy, here's a tutorial on how to make your own:
J. Mark Bertrand is a novelist and pastor whose writing on Bible design has helped spark a publishing revolution. Mark is the author of Rethinking Worldview: Learning to Think, Live, and Speak in This World (Crossway, 2007), as well as the novels Back on Murder, Pattern of Wounds, and Nothing to Hide—described as a “series worth getting attached to” (Christianity Today) by “a major crime fiction talent” (Weekly Standard) in the vein of Michael Connelly, Ian Rankin, and Henning Mankell.
Mark has a BA in English Literature from Union University, an MFA in Creative Writing from the University of Houston, and an M.Div. from Heidelberg Theological Seminary. Through his influential Bible Design Blog, Mark has championed a new generation of readable Bibles. He is a founding member of the steering committee of the Society of Bible Craftsmanship, and chairs the Society’s Award Committee. His work was featured in the November 2021 issue of FaithLife’s Bible Study Magazine.
Mark also serves on the board of Worldview Academy, where he has been a member of the faculty of theology since 2003. Since 2017, he has been an ordained teaching elder in the Presbyterian Church in America. He and his wife Laurie life in Sioux Falls, South Dakota.