Nothing lasts forever, but if you're waiting on a nicely-bound single column ESV, you might have your doubts. The Clarions seem to have been recalled due to a typographical error in the Old Testament, and the brown cowhide Legacy was pushed back thanks to problems with the binding. All we know for certain is that, some time in 2012, some of us will be pondering the profound question: Legacy vs. Clarion? Here they are to make a comparison:

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Clarion (left) vs. Legacy (right)

For the moment, both of the editions pictured above might as well be bound in unobtainium. What you're looking at is, on the right, one of the now-delayed brown cowhide Single Column Legacy ESVs. The problem with this run is that the cover separates from the liner, probably due to the thickness of board used in the spine, which doesn't allow much flex. On the left, you're looking at an unbound text block of the Clarion ESV, the guts of what would be a brown calfskin edition (hence the brown ribbons). While neither of these are quite ready for the market, we can make some helpful observations. 

The Clarion is about an eighth of an inch thicker than the Legacy, but nearly two inches shorter and a half inch narrower. It feels lighter and much more compact in the hand. The art gilt edges are nicer than the Legacy's gold gilt. The Clarion is printed and bound by Jongbloed in the Netherlands, while the Legacy is printed and bound in Italy by Legatoria Editoriale Giovanni Olivotto. The Clarion's text column is 3.5 inches wide and 6 inches tall. The Legacy's text column is 4 inches wide and about 7 inches tall. Both are set in Lexicon type: the Clarion in 8.75 pt. with 10.25 pt. leading and the Legacy in 9 pt. with 10.75 pt. leading. The Legacy features classical page proportions, which means a beautiful and usable outer and bottom margin. The Clarion has cross references in the outer margin. 

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Both editions show ghosting through the page, particularly in poetry sections. The Legacy's paper appears whiter and more opaque to my eye, and less prone to curling than the Clarion's. If the numbers make them seem quite similar, in reality they are very different, particularly in terms of size:

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Clarion (left) is smaller than the Legacy (right).
Below, the Clarion (top) compared to the Legacy (bottom).

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In the first photo above, you see the Clarion text block wrapped in black goatskin cover. Pardon the mismatch of brown ribbon and black leather. Next to it is the genuine leather edition of the Legacy. In the photo immediately above, the Clarion KJV in brown calf rests atop the brown cowhide Legacy. As you can see, the Clarion is the more compact of the two, a thick mid-size edition compared to the Legacy's full-size status. 

So with the comparisons out of the way, which is better, Legacy or Clarion?

THE ARGUMENT FOR THE LEGACY
If you're looking for an uncluttered reading experience, the Legacy is your choice. The slightly larger type, the better paper, and the elegant proportions all combine to make the Single Column Legacy ESV an attractive choice for extended periods of reading. While the verse numbers are still in the text, removing the section headings to the margin really does promote an unhindered flow. The cowhide edition opens flat and is quite limp, while the genuine leather doesn't open flat and will require some break-in. The Legacy is attractively priced and would make a wonderful rebinding project, too.

THE ARGUMENT FOR THE CLARION
The Clarion ESV possesses the same magic for me as the original I reviewed last year. If you're looking for a compact single column ESV with cross references, this is your choice. While the type is smaller than the Legacy's, this is ameliorated by the narrower text column, which some readers will prefer. The thinner, less opaque paper shows more ghosting and is prone to curling at the edges, giving the Legacy an objective edge -- but if you're willing to trade some opacity for a smaller footprint and cross references, the Clarion really shines. 

THE ARGUMENT FOR BOTH
This wouldn't be Bible Design Blog if I didn't make the case for having both the Legacy and the Clarion. When I first realized that the Clarion and Legacy would be coming out at roughly the same time, the either/or dilemma seemed particuarly tense. Then it dawned on me how different the proportions would be. It's a no brainer, now. These two editions are sufficiently different to justify both.

While they don't integrate quite a fully as the Cambridge Pitt Minion and Wide Margin, I envision a similar division of labor, with the the Clarion cast as the all-arounder, the one you tote with you on the road, and the Legacy as the edition you go to for serious reading and study. As my own tastes change, I find myself increasingly drawn to leather hardback bindings. Imagine the Legacy and Clarion each shorn of their factory covers, rebound in hardcover in matching shades of brown (or possibly green) goatskin. That would be heaven, if you ask me.

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In the English-speaking world, we've always been spoiled for choice when it comes to translations and the variety of editions. Users of the ESV enjoy more choice than most. Even so, it's quite a pleasure at long last to be writing not about "when will we ever get a decent single column text setting" but "which of these splendid options is the best fit for me." 

J. Mark Bertrand is a novelist and pastor whose writing on Bible design has helped spark a publishing revolution. Mark is the author of Rethinking Worldview: Learning to Think, Live, and Speak in This World (Crossway, 2007), as well as the novels Back on Murder, Pattern of Wounds, and Nothing to Hide—described as a “series worth getting attached to” (Christianity Today) by “a major crime fiction talent” (Weekly Standard) in the vein of Michael Connelly, Ian Rankin, and Henning Mankell.

Mark has a BA in English Literature from Union University, an MFA in Creative Writing from the University of Houston, and an M.Div. from Heidelberg Theological Seminary. Through his influential Bible Design Blog, Mark has championed a new generation of readable Bibles. He is a founding member of the steering committee of the Society of Bible Craftsmanship, and chairs the Society’s Award Committee. His work was featured in the November 2021 issue of FaithLife’s Bible Study Magazine.

Mark also serves on the board of Worldview Academy, where he has been a member of the faculty of theology since 2003. Since 2017, he has been an ordained teaching elder in the Presbyterian Church in America. He and his wife Laurie life in Sioux Falls, South Dakota.