Glimpse: Two Vintage KJVs
Over the summer, my wife and I moved into a new house -- really, an old house -- and I've set up a permanent photo studio in the basement, which means it's easier than ever to snap pictures of Bibles. Who benefits? You do! I'm inaugurating a new feature, 'eye candy' with a twist. I'm calling this category Glimpse, because I'll use it to share volumes I don't plan to review in full, but would like to do a bit more with than just post a random photo. Above: Two vintage Bibles, side by side, representing the late nineteenth century and the early twentieth.
We'll begin with a couple of vintage KJVs. A reader was kind enough to send me a box of various editions, including this pair of compact Bibles. One is a hardback Cambridge edition dated 1870 on the title page, which originally came with a clasp (now missing) to keep it closed, and the other is a very limp Oxford Self-Pronouncing Bible ("Brevier 16mo Black-face") inscribed 1936 inside the cover.
Above: The title pages. On top, the 1870 Cambridge, and below the 1930s Oxford.
The 1870 Cambridge KJV
Let's start with the nineteenth-century edition. This Cambridge measures 6.75 in. x 4.75 in. x 1.5 in., which is a great size. It's marked "Pearl 8vo. with refs." inside, and as you can see from the page spread below, that means very tiny type set in double columns and references on the inside and outside margin of each page. The hardback boards are decorated and edged in metal -- brass, I think. Originally, a clasp would have held the Bible closed. A small label affixed to the inside cover reads "Watkins Binder."
Above: You can still see the hinge where the clasp would have been fitted originally.
The thing that impressed me most about this 138-year-old Bible was that it opens perfectly flat. I wouldn't want to have to read from it for any length of time -- I don't think my eyes would bear up -- but it seems to me an excellent example of the compact Bible form.
The 1930s Oxford Self-Pronouncing Bible
The 1930s Oxford measures 6.5 inches tall by 4.5 inches wide, and about an inch thick. One of the covers has delaminated, which allows us to see inside. The outer layer of leather (morocco?) is quite thin, with a thin, flexible board reminiscent of construction paper, and an inner lining of what I'm guessing is a papery synthetic. In spite of the dryness of the leather, it remains as flexible as a contemporary Allan's binding -- I can fold it back on itself with no difficulty, and when I release, it springs back to its original shape. There is no stamp on the inside cover to indicate what the leather is. The india paper manifests some ghosting, as the photos indicate.
As you can see from the page spread, this is Brevier setting without references. I'm not a big fan of self-pronouncing text, but I find this little volume quite readable. To me, it's a perfect example of what a compact Bible should be: a clear, readable typeface; uncluttered layout; limp, flexible binding; all in a discreet form factor.
This Bible is at least seventy-two years old. The Olympics today are taking place in Beijing. When this volume was inscribed, they were in Berlin. As I noted, the front cover is delaminated. So the last thing I'd want to do with this Bible is roll it up like a newspaper in my fist just to see how flexible it is.
But I did it anyway.
Results? No problem. This septuagenarian is so supple it puts today's whippersnappers to shame.
J. Mark Bertrand is a novelist and pastor whose writing on Bible design has helped spark a publishing revolution. Mark is the author of Rethinking Worldview: Learning to Think, Live, and Speak in This World (Crossway, 2007), as well as the novels Back on Murder, Pattern of Wounds, and Nothing to Hide—described as a “series worth getting attached to” (Christianity Today) by “a major crime fiction talent” (Weekly Standard) in the vein of Michael Connelly, Ian Rankin, and Henning Mankell.
Mark has a BA in English Literature from Union University, an MFA in Creative Writing from the University of Houston, and an M.Div. from Heidelberg Theological Seminary. Through his influential Bible Design Blog, Mark has championed a new generation of readable Bibles. He is a founding member of the steering committee of the Society of Bible Craftsmanship, and chairs the Society’s Award Committee. His work was featured in the November 2021 issue of FaithLife’s Bible Study Magazine.
Mark also serves on the board of Worldview Academy, where he has been a member of the faculty of theology since 2003. Since 2017, he has been an ordained teaching elder in the Presbyterian Church in America. He and his wife Laurie life in Sioux Falls, South Dakota.